‘Indigo’ new Igneous Flame album released today

‘Indigo’ new album released today !

‘Indigo’ is comprised of a selection of tracks created from processed, generative sources.

The process for this album was different to my other releases – I created a pool of source material using generative blocks and ensembles in Native Instrument’s Reaktor. These were later processed, transformed and composed into the finished tracks.

I plan to release another two albums by the end of this year, which (again !) will be quite diversely different works.

 

 

‘Indigo’ is up on Bandcamp, as well as the streaming / download sites:

https://igneousflame.bandcamp.com/album/indigo

 

Edit of the track ‘Ogong’ on Soundcloud

 

Video on Youtube of the above:

 

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Social media for independent musicians ?

Social media for independent musicians ?

Been mulling over this recently and my thoughts are, for an independent, ambient musician such as myself (i.e. not in any kind of major league !), I don’t really see the value of spending the time on social media to try to ‘raise my profile’. I should say I’m speaking here as an individual artist – I can’t speak for bands and the like.

I do have a YouTube channel and an Instagram account * (see links), as I have made a lot of videos to accompany some of my music and I am a keen ‘out and about’ photographer. I very selectively follow / subscribe / comment on these two. I did have a Twitter account for a week (couldn’t really see the point) and have never had a Facebook account (on principle !). I do have a Soundcloud page, but I use that as just a place to post tracks.

The time required to subscribe / follow / like people and posts is just not worth the effort in my opinion – bearing in mind the reciprocal and disingenuous ‘back slapping’ thing going on, which is not my thing at all. I do wonder how much real ‘connection’ is made on these social media sites ? I used to have a Myspace account and spent some time ‘curating’ that and did make some meaningful connections there through private messages, but I gave up on it as it started to lose it’s way somewhat and I realised that I had spent too much time on the networking side of it and now all of that is lost as it has long gone – which could happen to the current sites too.

Out of the blue, I get emails from people who say very complimentary things about my music, which encourages me significantly, this was also the case before social media existed too.

In conclusion, my view is that I would rather spend my time on my music. It may seem an obvious point, but that really is the primary thing – without good work, all manner of promotion is pretty pointless. I do do a bit of a ‘press release’ thing when I have a new album out, but don’t go overboard on it.  My goal is to improve and release the best material I can. I have been releasing since 2003 and am very pleased that more people than ever are listening to my music.

(* Instagram seems to me to be a social media site using images (and videos) instead of words. Maybe that’s a simplistic view on it, I originally thought it was more akin to ‘flickr’, but on my short time there it seems much more ‘socially’ orientated than that)

‘Recycling’ music software

There are always new exciting music software releases and naturally I’m tempted by these and think what they could bring to what I am working with, but I also try to consider can I make use of what I already have to achieve similiar results ? Of course, some things just can’t be replicated – instrument libraries etc. but other things can.

For example, I use FL studio as my primary DAW (digital audio Workstation) and because I’ve used it for years I am now pretty familiar with it. By thinking things through, I find I can (usually) recreate multiple effects and the like with things that I am already familiar with – combinations of filters / gates / delays etc. using a bit of ‘creative thinking’. Chaining effects together and re-ordering them was always something Brian Eno used to talk about regarding using the studio as an ‘instrument’ and it equally applies to the computer based studio too. Actually, I have found this to yield somewhat unique results too, as opposed to relying on a single plugin or piece of software to do it’s magic. Also I have to say, I find a lot of presets are often unrepresentative of what the plug in can actually do, delving into things further can produce more useful (to me) results.

So, there’s an element of ‘recycling’ and revisiting ‘old’ software that I try to adopt. I already have more than enough music software, a fair bit of that I never use and do I really need more, when I can make use of what I have ? Revisiting some unforgotten ‘hidden gems’ can be a pleasant surprise !

In the spirit of this post here is a fine device (a Zoom 8080) from the 90s that I have, which sounds better than modern plugins / similiar units in some settings.

 

 

 

2019 projects update

2019 projects update

I am currently working away on a number of projects which I intend to release later in the year.

I’m mindful that it has been some time since my last album release and I intend to make 2019 a more productive year than 2018.

Horizon

 

Autumn 2018 Images

All taken with an iPhone 8 plus.

Processed with Focos

Processed with Focos

Processed with Apollo: Immersive illumination

Processed with Apollo: Immersive illumination

Fretless Guitar

Fretless Guitar

An ebow is a great combination with a fretless guitar. It’s not easy to play but it has a unique sound – almost like a ‘pseudo slide guitar’. it allows for non-chromatic slides, which isn’t possible on a regular fretted guitar. I’m hoping to use it as something of a ‘signature sound’ on my upcoming ambient guitar project (to be released at the end of 2018). It has made me learn some new things, as I can’t play the usual ‘licks and riffs’ on it (as I tend to on a regular guitar), which is somewhat refreshing !

Regarding non-ebow playing, a fretless guitar doesn’t sustain like a regular guitar does and playing with spot on intonation gets tricky (particularly higher up the fingerboard) All round, I find it’s a challenge to play, but very interesting nonetheless. With  fretless in general, legato lines become very fluid and vibrato becomes much more of a musical parameter.

Here’s my Samick / Greg Bennett guitar, now converted to fretless. It had fret issues and I was about to ditch it, but before I did, I thought I’d have a go at converting it to fretless. I bought a dedicated fret pulling tool, which took the frets our pretty cleanly, then applied five coats (or so) of super glue to thew fingerboard, then a radiused sanding block to sand down the super glue flat (going through a few grit grades of wet and dry). Lastly, a rub down with a polishing compound. It’s not perfect (I think the neck may be slightly warped), but it’s now functional.

Soundcloud Clip:

 

Videos:

 

 

 

 

 

 

Album projects update

10/6/18

Album projects update:

I’m rather behind schedule for my next releases, the reasons for this are twofold:

1) I needed a break.  I have been releasing consistently for some time now and I felt my creative juices were in need of rejuvenation – the last thing I want to do is to go in ‘auto-pilot’ and release very samey sounding albums, so a break (which wasn’t entirely a ‘break’, as I’m still perusing  / experimenting with ideas) was in order.

2) Guitar stuff – for one of my upcoming projects, I need to practice guitar to a degree where I become far more fluid in my playing (as I needed to with the fretless bass, for my last album). I also have been buying guitars, which takes quite some time to get them to be in a good playing / working order. I’m experimenting with all manner of guitar / pickup combinations to find the ‘tone’ that will suit what I have in mind for the project.

I have been creating videos of some of the guitars / sounds I’m planning on using. They will more likely to be of interest to people interested in those instruments. However as I have to do multiple takes to get a decent performance, there is an element of playing live which may be of interest (particularly as I don’t actually perform live)

 

Hopefully, towards the end of 2018, I will be closer to finishing these projects off.