Ruby our rescue dog has been with us for almost two years now. She’s come on a long way, but still has some issues which are deeply entrenched. She’s a great, affectionate dog and is very friendly with people, but still problematic with other dogs.
It shows how important a dog’s early life experiences are in shaping the way they are later on in life and unfortunately (from what we can gather), Ruby’s earlier life was a difficult one for her. She’s not the ‘easiest’ dog to look after, but she’s a great lass, nonetheless.
Here’s some recent Images of her, out and about, enjoying herself. They were taken with a iPhone 8 Plus.
A selection of some Images highlighting some of the camera features in the iPhone 8 plus, which is considered (by some) to be the best cameraphone, currently available. It may well be, but it’s still not a match for a ‘real camera’. Saying that, I do like it and I hope to get better results when I’ve figured it out a bit more.
These shots aren’t great, (apart from the inclusion of Ruby, the rescue dog !) but I thought some people may be interested in viewing them. They are a mix of RAW files converted to JPEG and JPEGs using the Apple camera app (pseudo long-exposure and portrait) modes.
The files are full resolution (quite large !), just click on them to view them full size:
I’ve just released my new album entitled ‘Sylvi‘, which is an ambient guitar (and fretless bass) work.
The primary instrumentation used was electric guitar, fretless bass, nylon string guitar and the ebow. The ebow was used on the electric and the fretless (which is a somewhat more unusual approach) to create melodic lines and low pitched swells. The electric contributed the main chordal and melodic parts.
Lots of guitar techniques were employed – slide guitar (electric), clean guitar swells (‘violin-ing’ – using a volume pedal).
In compositional terms, I tried to combine individual elements from the guitars and bass on each track, intending them to work as a whole. I avoided ‘noodling’ and playing overtly solo parts, using more restrained figures and lines.
There are some other sourced sounds on the album too, but they are pretty much ‘in the minority’ – the processed guitar parts forming the accompanying drones and textures
The production is somewhat ‘muted’ in terms of the high frequency elements, purposefully. I didn’t want it to sound overly bright. considering the ‘tone’ of the tracks.
‘Sylvi’ is a primarily sonorous work, with a smattering of more ‘oblique’ tracks included.
Brief Equipment used list: (for those interested in such things !)
Electric guitars – Tokai LoveRock, Yamaha 112 (modified), Tanglewood Les Paul copy (on the track ‘Helmi’)
ESP Ltd B-205SMFL 5 string Fretless Bass:
This is a lovely instrument, it’s right handed, but I played it upside down (I’m left-handed), it has ground wound strings on it, which are a nice compromise between roundwounds and flatwounds.
‘Cuenca’ Nylon string guitar (1983)
Zoom G5n:
Used as the preamp for all guitar and bass parts (a Zoom 8080 was also used as well) Very versatile !
Used for all the overdriven / distortion sounds (mostly the ebow tones) Still the best thing for these sounds, IMO.
Last but not least – the mighty ebow !
I’ve used the ebow for a long time, it’s a fantastic thing in it’s own right, but I find it needs considerable technique to get it to sound good (not harsh). It’s very dynamic, for one thing.
Finally, the album was mastered using a pair of Shure SE535’s (thanks to Achromus !) and I also used a pair of Parrot Zik 3’s for some ‘out and about’ listenings, which were surprisingly good.
Work is going well on my new (as yet untitled) album.
This album is something of a departure for me, in that it is almost solely a guitar (and bass) ambient work. It is beatless and features all manner of guitar styles – predominantly ebow, fretless bass, nylon string guitar, electric guitars, etc.
Expect something different !
I hope to have it finished in a month or so. More updates will be posted here.
